Be Afraid

We all live in fear. Some of us more than others, but we all have secret dreads lurking in the corners of our mind. Fear of growing old, or letting our children come to harm, or not making the grade, or perhaps a ghostly presence we sense late at night.

Look for the fears in your stories, and bring them to life in ways so we, too, feel that fear.

Fear can play a role in any kind of story, but it’s especially prominent in those stories with a touch of horror. A really scary story—one that scares Stephen King and Neil Gaiman—is Shirley Jackson’s novel The Haunting of Hill House (now adapted into a TV series). Continue reading “Be Afraid”

On Endings

Lately I’ve been trying to wrap up a story—without success—and every time I take another run at it, I think of something I read recently about endings, that good ones “shine a point of light on the writer’s best attempt at truth.”

I love that, because it’s how I envision endings. You direct a shiny, narrow beam of  light, or aim a long, sturdy arrow, at a pinpoint of a target. Summations, surprise twists, sudden epiphanies—these are not arrows or beams of light. Their scopes are too wide.  Continue reading “On Endings”

Whittling Words

A classic bit of advice in the book Elements of Style: Omit needless words.

But what constitutes needless? Ah, there’s the rub.

In Roald Dahl’s Charlie and the Chocolate Factory, five lucky kids find golden tickets in their Wonka Bars, inviting them to tour Willy Wonka’s magical chocolate factory. Here’s a segment from the golden ticket:

Continue reading “Whittling Words”