As you may have seen, Notre-Dame Cathedral in Paris has been revived after a devasting fire almost six years ago that sent its iconic spire tumbling to the ground.
Amazingly, it’s been rebuilt, mostly using the exact same materials and techniques that were used when construction began in 1163. Some of this is unseen, such as the oak support beams, and much of it radiates to the eye, like the erasure of time’s grime to the stone, stained glass, and pipe organ.
About the restoration, Michael Kimmelman, the New York Times architecture critic, wrote:
For a wider world, it underscores that calamities are surmountable, that some good and true things endure—that humanity may not yet have lost touch with its best self.
This past year, I read Victor Hugo’s novel The Hunchback of Notre-Dame for the first time, a breathtaking tale that takes you high and low through the cathedral, often following Quasimodo the bell-ringer who scales and descends the building both inside and out with muscular arms and deaf ears. At the end, I gasped when I discovered where Quasimodo ended up. If you’re in the mood for melodrama mixed with history, give it a go.
The cathedral comes alive in the book, a place of sin and sanctuary, as here:
Only the great rose window of the façade, whose thousand colors were steeped in a ray of horizontal sunlight, glittered in the gloom like a mass of diamonds, and threw its dazzling reflection to the other end of the nave.
Hugo partly intended the book, published in 1831, as a cri de coeur for preserving the cathedral, which had fallen into disrepair. The story so captured the public’s imagination that the King ordered a major restoration, which goes to show the power of a good tale.
I’m also reminded of Raymond Carver’s short story “Cathedral,” which I often revisit, about a closed-off man who finds his life cracking open when he draws a cathedral on paper with a blind man’s hand atop his, to give the blind man a sense of what a cathedral looks like. The story is included and deeply analyzed in Gotham’s book Writing Fiction.
And why this matters to you and me…
Creating a work of art—be it a painting or poem or pyramid—is a miraculous event. People have been doing it for, well, who knows how long? You may be doing it now… or hoping to. It can be done. The results may be magnificent. Yet even if they fall short of that mark, there’s an overpowering beauty in the act of aspiring.
Alex Steele,
Gotham President
